The most significant change introduced by the Special Edition is the inclusion of three additional characters: Lady, Trish, and Vergil. The Devil Bringer can transform even the toughest of foes into pretty blue explosions of light.
It's just a shame that Dante is left with so little meat to pick off the bone, being relegated to retracing Nero's steps. Collecting new weapons and experimenting with his unique combat stances spices up the action, and his comically blasé attitude toward towering demons hurling fire, ice, and everything in between adds an additional layer of absurdity to this ballet of angels and demons. He's a suitable protagonist for the series, with enough emotional intrigue to carry the early portions of the story, but the eventual shift to Dante is welcomed. You spend the majority of Devil May Cry 4 with Nero, a silver-haired, sardonic punk whose emotions swing from caustic rage to lovesick sweetness at the drop of a sword. The re-progression is thematically justified by a character swap, giving you at least some reason to remain engaged during this slog. As a result, the endless combat rooms and recycled scenarios can be exhausting. While this Special Edition provides slight combat tweaks and additional characters to toy with, there's just not enough mechanical or architectural variation to justify the fluff. The structure of the extended campaign works against its own momentum, forcing you to retread recently explored locations and battle all-too-familiar enemies over and over again. But the excessiveness takes away just as much as it gives. The action can feel like a firework show that spurns a nuanced routine for a non-stop, thirty-minute finale, and there's a certain charm to this bravado. Devil May Cry 4 is excessive by design, from the mammoth swords to the boss battles rooted in elegant mayhem.
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